Thursday, March 17, 2005
Wednesday, March 16, 2005
Paintings
“The work is about a material and physical presence."
It is a representation of the single-minded intent and power of the artist hand that seeks to evoke and transcend using simple materials. For me, this work is a return to basics. It is an exploration of limitations set by given parameters and fundamental elements within design to express the deeper aspect of the human condition.
All images below are Enamel on Canvas: they are a few samples of work to be on view March 30th at the KBF Exhibition.
It is a representation of the single-minded intent and power of the artist hand that seeks to evoke and transcend using simple materials. For me, this work is a return to basics. It is an exploration of limitations set by given parameters and fundamental elements within design to express the deeper aspect of the human condition.
All images below are Enamel on Canvas: they are a few samples of work to be on view March 30th at the KBF Exhibition.
Tuesday, March 15, 2005
Works on Paper
My personal history with enamel paint goes way back to my youth. It was the type of paint that I used on my model airplanes as a child. I never thought that it would play such a role in my life as an artist. In fact, it was a chance application of enamel paint on paper in 1999 that began an investigation into a reductive approach to mark making. I am captivated by the distinctive viscosity and richness of enamel paint against the smooth translucent vellum. When the vellum is folded, a whole new dimension is added. The economy of value in a single hue can be exponentially compounded when viewed through the front middle and back of a sheet of paper. In the end, paper and pigment give way to the beauty of light and space as I retain a pure material and physical presence that is unmistakably the artist intent.